摘要
法国诗歌中的抒情主体一直存在着争论,具体表现为两大分支:第一种"我"为主观的"我",往往带有自传的性质,在现实生活中可以找到依据;而第二种"我"则为一种虚构的、非人格化的"我",它并不是为了特指某个人而存在。这场争论正是抒情主体危机的征兆,伴随而来的是十九、二十世纪整个文学主体的危机。因此,抒情主体演变趋势的探究对于法国诗歌、甚至法国文学的研究就显得格外重要。这两种趋势究竟在如何变化与发展?它们一定是相互对立的吗?
There have always been controversies about the lyric subject in French poetry mainly sorted into two ideas: the first thought that the subject "I" is biographical, evidences can be found in real lives; the second thought that "I" is fictional and impersonal, it doesn't refer to any particular person. It is this debate that indicates the crisis of the French lyric subject, which is companied by the crisis of the whole literary subject in nineteenth and twentieth centuries. Accordingly, a research on the evolution of lyric subject is especially important to the French poetry, are open to argument even the French literature. In this way, "how do these ideas change and develop? Are they mutually opposite?"
出处
《长江学术》
2016年第1期81-85,共5页
Yangtze River Academic