期刊文献+

简析十九、二十世纪法国诗歌中的抒情主体

Lyric Subjects of French Poetry in Nineteenth and Twentieth Centuries
下载PDF
导出
摘要 法国诗歌中的抒情主体一直存在着争论,具体表现为两大分支:第一种"我"为主观的"我",往往带有自传的性质,在现实生活中可以找到依据;而第二种"我"则为一种虚构的、非人格化的"我",它并不是为了特指某个人而存在。这场争论正是抒情主体危机的征兆,伴随而来的是十九、二十世纪整个文学主体的危机。因此,抒情主体演变趋势的探究对于法国诗歌、甚至法国文学的研究就显得格外重要。这两种趋势究竟在如何变化与发展?它们一定是相互对立的吗? There have always been controversies about the lyric subject in French poetry mainly sorted into two ideas: the first thought that the subject "I" is biographical, evidences can be found in real lives; the second thought that "I" is fictional and impersonal, it doesn't refer to any particular person. It is this debate that indicates the crisis of the French lyric subject, which is companied by the crisis of the whole literary subject in nineteenth and twentieth centuries. Accordingly, a research on the evolution of lyric subject is especially important to the French poetry, are open to argument even the French literature. In this way, "how do these ideas change and develop? Are they mutually opposite?"
机构地区 武汉大学法语系
出处 《长江学术》 2016年第1期81-85,共5页 Yangtze River Academic
关键词 抒情主体 “我” 法国诗歌 19—20世纪 French Poetry Nineteenth and Twentieth Centuriesl:Lyric Subject
  • 相关文献

参考文献1

共引文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部