摘要
从空间理论的视角出发,安徒生的作品《海的女儿》构建了海洋、陆地和天空3个空间,并以小美人鱼的身体为中心,一方面揭示空间变化中的权力控制机制,另一方面也通过空间中的权力构建凸显小美人鱼伟大的精神超越和升华。此外,空间视角能帮助我们更好地理解文本中的性别权力构建,并从身体和性别两个视角审视小美人鱼对空间权力的有效解构,揭示作品中的美学主题。
From the perspective of spatial theory,this paper aims to analyze the three spaces： sea,land and sky,in The Little Mermaid and their power constructions respectively. The body of the little mermaid,as the center of space power construction,not only reveals the mechanism of power control during spatial transformation,but also highlights her spiritual transcendence during her decoding efforts. Also,the gender perspective in the spatial construction further reveals the gender traits in the three spaces and enriches the transcendence of the little mermaid with much sufficient female consciousness.
出处
《外语学刊》
CSSCI
北大核心
2016年第2期133-137,共5页
Foreign Language Research
