摘要
姚华是清末民初著名的戏曲理论家和书画理论家。在他的诗文曲赋和书画题跋中,针对时弊,他提出了"以不美为美"、"绘画本性灵"和"惟精神是求"等艺术美学思想,这些美学思想显示了那一时期艺术思潮的时代特征和进步意义。
YAO Hua is one famous critic in dramatic theory and calligraphy and paintings during the late Qing Dynasty and the early Republic of China.In his poetry,essays and the inscriptions to calligraphy and paintings,he proposed the following aesthetic conceptions,such as ＂beauty in the unbeautiful＂,＂natural disposition of the paintings＂and ＂spirit as the only pursuit＂that displayed the characteristic and progress of the aesthetic conceptions at that time.
出处
《贵州大学学报（艺术版）》
2016年第1期114-119,共6页
Journal of Guizhou University Art Edition
基金
贵州省教育厅人文社科项目"姚华美学思想研究"(项目编号:12QN027)
关键词
姚华
美学
不美为美
性灵
精神
Yao Hua
aesthetics
beauty in the unbeautiful
natural disposition
spirit
