摘要
卧箜篌是我国历史悠久的弦鸣弹拨乐器——箜篌的一种,在宋代退出历史舞台。目前国内外对于卧箜篌起源及发展的研究较为成熟,而缺少卧箜篌消亡原因的探究和系统性总结。立足国内外研究成果,采用文献调查法、分类法、比较分析法、历史研究法等方法,一方面,提出卧箜篌的兴起时间尚不能肯定、需考古实证佐证的观点;另一方面,与朝鲜的玄琴相对比,从文献及考古材料出发,总结提出卧箜篌在中国消亡的原因,即宫廷的垄断、其他乐器的冲击和市井文化的兴起。并在此基础上,为传承传统文化提出了"民族交流、不断改进、加强重视"的建议。
Wo Kong Hou is classfied as a sort of chordophones with a long history,which withdrew from the historical stage in the song dynasty. There has been rich research around the origin and development of Wo Kong Hou,but when it comes to its life history——The strong contrast between the rise and fall as well as the cause of extinct,is poor. Based on the research results,the writing is intended to explore through literature investigation,analytic comparison,historical approach,etc. It draws a conclusion that on the one hand,the origin of the Wo Kong Hou is still indeterminate,requiring archaeological evidence; On the other hand,compared with Komungo of north Korea,the writing concluded that the monopoly of the palace,the impact of the other instruments and the rise of civic culture led to its extinction. Furthermore to table a proposal for cultural inheritance,that is " communication,perfection,respect ".
出处
《盐城工学院学报(社会科学版)》
2016年第1期69-73,共5页
Journal of Yancheng Institute of Technology(Social Science Edition)