“表征”知识型视野下的古典主义和声

Classical Harmony in the Representational Visual Field

17、18世纪,西方思想家们对将不准确的、模糊的"相似性"作为知识源泉的思维原则展开了批判,"表征"知识型(representation)逐渐取代了"相似性"(resemblance)知识型成为知识的主要构形基础。通过区分和比较发现事物之间的差异及同一,通过区分和比较形成分类,最终建立起某种严格的秩序,进而达到知识的确定性。古典调性和声的配置逻辑暗合了"表征"知识型的构型原则,无论是大小调的织体形式,还是自然音和声体系、半音体系、和弦外音的分类原则和配置逻辑,以及古典奏鸣曲式的调性配置逻辑,均建立在以同一——差异性为基础的"表征"知识型的构型原则之上。

During the 17th and 18th centuries many westernthinkers launched criticismtowards thethinking principles of the inaccurate and blurry 'resemblance' as the source of knowledge. Gradually, 'representation' replaced 'resemblance' as the main configurational foundation of knowledge. The configuration logic of the classicaltonal harmony coincides with the 'representational' principle.