期刊文献+

走向一种当代批判——作为文学、文化和艺术批评者的汪民安

Toward a Critical Contemporaneity——Wang Min'an as a Literary, Cultural and Art Critic
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摘要 汪民安文艺批评思想的核心风格是当代性,在20世纪80年代末,作为文学批评者的汪民安通过对先锋文学的批评实践,具有直觉色彩地把握了"当代"不仅是一种对时代潮流的洞察,而且是一种对时代主流的批判。在90年代的文化批判实践和对西方文化理论的引介过程中,汪民安保持了这种当代批判意识,并将这种意识转化为对权力技术和作为技术的当代艺术(感官技术)的反思,建立起独特的理论视野和批评风格。 The innate style of Wang Min' an' s critical writings is of contemporaneity. In the 1980s when he criticized the 1980s' avant-garde literary works, Wang intuitively understood the essence of the concept 'contemporary' as not only a perception of the trends of the age but also a critic of the mainstream values of the time. Maintaining his critical attitude in his 1990s toward cultural critic and introduction of western cultural theories, Wang transferred it to a reflection on the contemporary technology of powers and sensations, which finally lead to his unique perspective of criticism and choices of the theoretical knit-box in his academic career.
作者 姚云帆
出处 《新疆大学学报(哲学社会科学版)》 CSSCI 2016年第2期107-114,共8页 Journal of Xinjiang University(Philosophy and Social Sciences)
关键词 当代性 文化理论 艺术批评 权力技术 Contemporaneity, Cultural Theory, Art Criticism, Technologies of Powers
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  • 1Roland Barthes, "From work to text", in Im-age-Music-Text, Fontana, London, 1977, p. 157.

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