摘要
汪民安文艺批评思想的核心风格是当代性,在20世纪80年代末,作为文学批评者的汪民安通过对先锋文学的批评实践,具有直觉色彩地把握了"当代"不仅是一种对时代潮流的洞察,而且是一种对时代主流的批判。在90年代的文化批判实践和对西方文化理论的引介过程中,汪民安保持了这种当代批判意识,并将这种意识转化为对权力技术和作为技术的当代艺术(感官技术)的反思,建立起独特的理论视野和批评风格。
The innate style of Wang Min' an' s critical writings is of contemporaneity. In the 1980s when he criticized the 1980s' avant-garde literary works, Wang intuitively understood the essence of the concept 'contemporary' as not only a perception of the trends of the age but also a critic of the mainstream values of the time. Maintaining his critical attitude in his 1990s toward cultural critic and introduction of western cultural theories, Wang transferred it to a reflection on the contemporary technology of powers and sensations, which finally lead to his unique perspective of criticism and choices of the theoretical knit-box in his academic career.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2016年第2期107-114,共8页
Journal of Xinjiang University(Philosophy and Social Sciences)
关键词
当代性
文化理论
艺术批评
权力技术
Contemporaneity, Cultural Theory, Art Criticism, Technologies of Powers