同韵说演化探析

Exploration and Analysis of Evolution of Identical Rhyme

在中国古代文论中,"同韵"这一范畴是由中国古代古典美学的重要范畴"韵"逐渐演变而来的。"韵"范畴孕育于魏晋南北朝时期,确立于隋唐时期,深化于宋金时期,到了元代,随着中国版图的扩大,人口移居现象频繁,众多民族、语言背景不同的诗人进入创作活动,应当使用何种语言进行文学创作,成为诗人们面临的一个实际问题,于是"同韵"思想正式进入创作者的视野,这不仅仅是一种对于诗歌韵律的要求,更体现出一种强烈的文化认同。同韵说思想及至明清日渐成熟与完善。

In the ancient Chinese literary theory, the category of ＂Identical Rhyme＂ is gradually evolved from the important category of Chinese classical aesthetics ＂Rhyme＂. Category of ＂Rhyme＂ bred in Dynasties of Wei Jin and Southern and Northern period, and was established in the Sui and Tang Dynasties, was deepened in Song and Jin Dynasties. In Yuan Dynasty, with the expansion of China＇s territory and the frequent population migration, numerous poets of different backgrounds and languages began to create literature. Which language should be used in literary creation becomes the practical problem faced by poets, so ＂Identical Rhyme＂ officially entered the creator＇s vision, which is not only a requirement for the rhythm of poetry, but also reflects a strong cultural identity. This idea is increasingly mature during Ming and Qing Dynasties.