摘要
玉器既是礼器,也是一种物质产品。玉器的加工与生产直接关系着人类生产经验的出现与积累,也直接关系着审美意识的产生与发展。中国文学批评史上,"以玉喻文"是一种普遍性的批评话语。古代文论家借助于"玉美"模子将异常抽象、难以言传的文学活动阐释得通幽入微、酣畅淋漓。美玉与美文的相互借鉴、治玉技艺与为文作诗的相互启发构成了中国古代文学批评的奇妙景观。"以玉喻文"折射的是中国本土的、活生生的审美经验和诗性智慧,为化解当前中国文论的"失语症"提供了新思考。
Jade is a ritual,and is also a kind of material products. The processing and production of jade is directly related to the emergence and accumulation of human production experience,but also directly related to the emergence and development of aesthetic consciousness. In the history of Chinese literature criticism,"to the jade metaphor literature"( 以玉喻文) is an universal critical discourse. In ancient times,every family had to explain it clearly by means of an abstract literary activity. Learning from each other and the beauty of jade,jade crafts and writing poetry mutual inspiration constitute a wonderful landscape China ancient literary criticism. "To the jade metaphor literature"reflects the aesthetic experience and poetic wisdom of Chinese characteristics,and provides a new thinking to solve the Chinese literary theory of"Aphasia".
出处
《重庆邮电大学学报(社会科学版)》
北大核心
2016年第2期116-123,共8页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
国家社会科学基金项目:陇右金石文献与古代文学新视野(13BZW094)
关键词
玉
玉文化
援玉论文
思维模子
文学批评
Jade
Jade culture
to the jade metaphor literature
thinking model
literary criticism