从古代造物观“制器尚象”看珠宝首饰设计加工

Design and Procession of Jewelry from the Ancient Artistic View of “the Fabrication under Image”

中国古人在制造物品时,很大一部分人以"制器尚象"思想为造物指导,这样的思想无论在古代手工业、建造业,还是在现今首饰设计实践的活动中,都带来了深远影响。其中,"象"是一个较为概括笼统的词,对于不同的学科而言,它所代表的概念是复杂的。本文将中国古代造物观"制器尚象"的设计思想融入现代首饰设计之中,研究古代造物观"制器尚象"对于珠宝首饰设计及加工等方面的启示意义。同时探讨了何为"尚象"在现代珠宝首饰当中的释义,以及它所代表的"取象"的思想观点对当代首饰设计的启示,包括颜色、择取材料工艺这一系列"取象"的思想观点与珠宝首饰设计之间的关系。

When the ancient Chinese made objects,a large part of them were guided by the idea of "the fabrication under image".Actually,it brings a quantity of profound impacts on the ancient handicrafts,buildings,and current jewelry design.However,in different subjects,the "image" represents various meaning.In this paper,it mainly aims at combining the ancient Chinese design thinking with concept of creation the modern jewelry design,as well as exploring the enlightenment function of "the fabrication under image" in jewelry design.Not only that,this paper will discuss the explanation of"Shang Xiang"in modern jewelry and exploiting its applications in contemporary jewelry design,which contains the relationship between a series of"image"ideas and jewelry design in the colour,material selection process.