从叙事学视域看《聊斋志异》中的书生形象

Study on the Scholar Images of the Strange Tales from a Chinese Studio from the Perspective of Narratology

从叙事学视域看,《聊斋志异》中的书生不管是在书斋、郊野、庙宇还是家庭,他们始终是两性叙事空间中的主体,不曾因为空间的不同或转换而有所改变,书生也因此获得了第一人称叙事的主导权。他们的主体优势又通过表现于书生自身充满男性色彩的视觉叙事和女性违背常理及其本性的行为叙事得到强化,最终进一步深化为男权主义。

From the perspective of narratology, the scholar images in the Strange Tales from a Chinese Studio, no matter where it is, such as study room, outskirts, temples or household, they are always the subjects in the narrative means of sexual relations. It has never changed, even though the space alters or shifts. Thus, the scholar gains the dorminant right as the first-person narration. What's more, their subject advantage is also strengthened through the visual narration, which is full of the scholar's own male color and the behavior narration which is full of female abnormal convention. And such a subject advantage evolves the male chauvinism furthermore.