复调理论视域下的《龙子》

Dragon Seed from the Perspective of Polyphony Theory

巴赫金复调三原则或三特征由"对话性""共时性"和"未完成性"构成;它们之间相互呼应,共同作用于复调的产生。《龙子》在人物形象的塑造、多视角的叙事、故事场景的设置、故事结局的安排等方面都呈现出了复调的特征,从而彰显出了作家的创作意图:力图使来自不同国家、有着不同民族身份和不同性别年龄的人们在对话中发出自我之声,共同谱写出一支充满平等、和平、友爱的和谐之曲。

The three famous polyphonic principles or features of Bakhtin consists of 'dialogue','synchrony',and 'unfinalizability'that are echoing to each other so as to generate the existence of polyphony together. Dragon Seed presents the three polyphonic features and their own different functions from the following four angles— the molding of the character image,the narration of multiple points of view,the setting of story scenes,and the end of story,which reveals completely the author' s writing intention: trying to make people from different countries,with different nationalities,genders and ages to utter his or her voice in the dialogue in order to compose a harmonious song together,and conveying the willingness of love,equality,and peace.