童性世界与现实世界碰撞中的张力——张力理论视角下刘第红的《芍药仙子》

Tension in the Conflicts Between the Child World and the Real World——on LIU Di-hong's Shaoyao Fairy in the view of tension

《芍药仙子》是作家刘第红的一部回忆童年生活的、带有浓郁湖南地域文化色彩的散文集。作品中到处充满着相互矛盾、相互否定、相互补充的张力。其中,虚幻与真实、狂欢与忧伤、先在与后在构成的既相互冲突又相互渗透的张力表现得最为突出。首先,作者常以寻常的语调叙述一些奇异的故事,使他的文本中充满着幻觉与真实相混、神话和现实互渗的景观。其次,童性世界的独特生活观感,常常在儿童的狂欢与忧伤的思想、情感的对立统一中得以呈现,显示的是对权威的挑战和权威对这种挑战的潜在压制的复杂意义。再次,外在的漂泊与迁徙得到的经验不断冲刷着童年世界曾经相信的一切,世界观在这种不断冲突中有对立,有融合,有疏离,有统一。正是得力于这三种张力的生成,刘第红的这部散文集在新世纪散文中表现出了极大的突破性和独特性意义。

Shaoyao Fairyis an essay collection by LIU Di-hong,which is a recall of his childhood,and characterized by strong local culture of Hunan.In this writing,there exists tension everywhere,i.e.,tension of mutual contradiction,mutual negation,and mutual complement,esp,the mutually-contradicted but mutually-permeated tension made up of illusion and reality,revel and sadness,and preexistence and postexistence.Firstly,the writer often tells some old stories in a common tone,which makes his writing full of scenes where illusion mingles with reality,and myths permeate reality.Secondly,the unique child view on life is often presented in the unity of opposites of child ideas and emotions of revel and sadness,which reveals complex meanings in a challenge to the authorities,and then a potential suppression of the challenge from the authorities.Thirdly,experience from the drifting outside and migration constantly washes against what was believed in childhood,and there is conflict,integration,alienation and unity in the world view.Thanks to the formation of tension of these three kinds,LIU Di-hong＇s Shaoyao Fairy is presented with great breakthroughs and uniqueness in essay writing of a new century.