摘要
本文以非物质文化遗产的保护及传承为出发点,对陕北秧歌中最具代表性的"二人踢场子"文化形态进行研究。文章从分析陕北地区的非遗现状入手,继而依据史料对陕北秧歌的原初形态进行论证,尤其对以国家非遗传承人"李增恒"先生为代表的"二人踢场子"在20世纪50年代之后的新发展进行了阐释,并探讨了以课堂教学为途径进行非遗保护及传承工作的可行性。
The paper focuses on the cultural research of the yangko in the northern Shanxi in the perspective of intangible cultural heritage. It begins with the analysis on the situation of the intangible cultural heritage in the northern Shaanxi,and then argues with the original form of yangko in north Shanxi based on the historical materials. Especially,the paper concentrates on the new development of the yangko in the northern Shanxi after 1950 s,and attempts to propose a practical measure to improve the work of the intangible cultural heritage.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2016年第1期41-45,共5页
Journal of Beijing Dance Academy
基金
陕西省教育厅专项科研计划项目"国家非物质文化遗产--陕北秧歌‘二人踢场子’研究与应用"(课题编号:2013JK0487)研究成果
关键词
非遗
陕北秧歌
“二人踢场子”文化
intangible cultural heritage
yangko in the northern Shanxi
yangko culture