摘要
晚明剧作家孟称舜的杂剧创作既体现出较为典型的南杂剧特征,又遵从北杂剧的传统体制,在审美取向上表现出对元杂剧的追慕与回归。孟称舜的杂剧以其独具一格的精神面貌,支撑起晚明杂剧的艺术大厦,成为明代杂剧不可或缺的组成部分,在中国古典戏剧史上亦占有重要的一席。
In late Ming Dynasty playwright Meng Chengshun's dramas not only reflect the characteristics of typical Southern Dynasty and follow North Zaju of the traditional system, show chasing and regression of the Zaju of the Yuan Dynasty in the aesthetic orienta- tion.The unique spirit of Meng Chengshun's drama support the art building of the late Ming Dynasty , Meng's writing is part of an integral part of the Ming Dynasty,and occupies an important one seat in the history of Chinese classical drama.
出处
《甘肃高师学报》
2016年第2期9-12,共4页
Journal of Gansu Normal Colleges
基金
甘肃省高等学校科研项目"孟称舜及其<古今名剧合选>研究"(2015A-168)
关键词
孟称舜
杂剧
宗元
Meng Chengshun
zaju
chasing Yuan Dynasty