论张大千画家之画的精神内涵

On the Spiritual Connotation of ZHANG Da-qian's Paintings

张大千以"文人画"为起点,以"大风堂"为根据地,通过对士夫画、画工画的层层推进与绘画实践,深刻地认识到"书法功底"与"骨法用笔"是中国绘画本体的基础特质;同时他敏锐地意识到20世纪中国的画家之画,必须兼具"画工画"在绘画上的全面性、"士夫画"在文化上的理想性以及"文人画"在绘画上的职业性。张大千对"画家之画"精神内涵的理解,与改良派与革命派相比,更符合中国文化发展的"国情",这也是张大千成为20世纪最为风姿绰绝的绘画巨匠的关键所在。

With literati paintings as the starting point and Great Wind Hall as the base,through the repeated practice of scholar paintings and commercial painters＇ paintings,ZHANG Da-qian realized deeply that the calligraphic essentials of basic training and slim painting with strength are the fundamental feature of Chinese paintings.Meanwhile,he was keenly aware of the fact that the Chinese artists＇ paintings of the 20 th century should have the comprehensiveness of commercial painters＇ paintings,idealism of the scholar drawings in culture,and professionalism of literati paintings.Compared with reformists and revolutionists,ZHANG＇s understanding of the spirit connotation of artists＇ works was more in accordance with the national conditions of development of Chinese culture.This is the key reason why he became brilliant master painter.