从考古资料谈明成化斗彩瓷器的彩绘工艺

On The Painting Techniques for Ming Chenghua Doucai Porcelains by Archaeological Materials

近三十年来,在景德镇珠山御窑厂遗址出土了大量明成化时期的瓷器残片,经考古整理后,有数百件器物被复原,其中斗彩和斗彩半成品占比例较大。通过出土遗物与传世品的比较,可以探析成化时期斗彩瓷器的釉上彩绘制作工艺,并就此明晰成化斗彩瓷器淘汰率较高的原因。

There have been shards of porcelain objects of Emperor Chenhua's period of the Ming dynasty unearthed in the imperial kiln site in Zhushan hill,Jingdezhen in the past three decades,including larger quantity of finished and half-finished contending-colored products named Douc(?)i in Chinese pinyin out of the hundreds of restored wares.The comparative study of the unearthed and handed-down porcelain objects offers much information as to the techniques for painting over-glazed wares and the causes for high-rate of defect wares at that time.