贡嘎曲德寺怙主护法殿绘塑图像初探

The Iconological Analysis of The Images and Statues of mGon khang of Gong dkar chos sde dgon

贡嘎曲德寺怙主护法殿是寺庙建造者同时也是萨迦贡嘎派创派祖师贡嘎南杰的个人修行场所,因此该殿的绘塑作品最为直接地反映了祖师个人的思想和意愿,也概括了萨迦派最为核心的教法。同时,由于贡嘎南杰与钦则钦莫的师徒关系,因此该殿的壁画最有可能直接反映了钦则画派的艺术特征及萨迦派的核心思想。作者通过对怙主护法殿内绘塑作品图像的研究,结合相关文献,尝试还原殿内绘塑面貌,并对图像内容进行辨识。

The Hall of mGon khang of Gong dkar chos sde dgon used to be where Thu ston Kun dga'rnam rgyal who was the builder of the temple and the founder of Sakya sect practiced Buddhism privately,so the mural images and statues in it not only embody his philosophy and will and the core doctrine of Sakya sect,but also represent the artistic characteristics of mKhyen brtse chen mo school and main points of the Sakya sect as the follower of Thu ston Kun dga'rnam rgyal.The analysis of the remaining images and related materials in the thesis intends to reset the images and statues in the hall and make identification of the statues each.