论唐宋以来的青瓷审美

The Aesthetic Habit to the Celadon Since Tang and Song Dynasty

对于青瓷的审美认识是唐宋时期及其后中国古代美学的重要组成部分。但如果分析其内容和观念,则可以发现,这种审美只是针对特定的青瓷种类的赞颂和演绎,因而其认识本质上只是人处于政治生活之下的一种诉求的反映,而非面对青瓷之自身。故此,唐宋及其后的青瓷审美对器物自身和其所呈现的颜色并无真正意义上的思考和审视。

The aesthetic habit to the celadon is one of the important part of ancient chinese aesthetics after Tang and Song Dynasty. If we analyze it,however,could found this aesthetic is only foucs on some particular type of celadon. Thus the essence of this aesthetic habit is the response of the political life but not simply face to the celadon itself.