叙事学视域下《左传》对《春秋》的超越

The transcendence of Zuozhuan to Spring and Autumn from the perspective of narration theory

从西方叙事学理论来看,《左传》在依托《春秋经》的同时,又有不少重大发展。在叙事之事上,《左传》突出"史实情节化",将《春秋》账簿式的大事记转变为真正的文学描写;在叙事时间上,《左传》沿袭了《春秋》顺序式为主的时间模式,并突出对预叙的运用,将预叙作为因果结构的构成手段,展现出鲜明的东方时空观念;在叙事视角上,《左传》形成了以史家全知叙事为主,其它几种形式交相融合的叙事方式,其对视角艺术的运用既具有原创性,又对后世的史学及文学创作具有示范性。

From the perspective of western narration theory,Zuozhuan in relying on Spring and Autumnat the same time,there are a lot of great development.In narrative object,Zuozhuan emphasized＂the plots of history＂,transfed s account of history-telling to truely literary description; In narrative time,Zuozhuan followed the sequential temporal patterns of Spring and Autumn,and highlighted the use of pre narration,reflecting the distinctive Oriental concept of time and space; In narrative point of view,Zuozhuan mainly formed omniscient narrative,blending theother narrative ways,it was not only original,but also modelforlater generations’ history and literature of creation.