摘要
"一切艺术本质上都是诗"即澄明之筹划或存在者之无蔽的道说,即存在或大道(Erelgnis)的运作和发生。当代"无家可归的状态"不仅引发了对栖居问题的重新思考并且成为"终有一死者唤入栖居中的唯一呼声",同时也引发了对艺术之于栖居的召唤和审视。本文通过突出让"在"与"诗"心即艺术与栖居思想在海德格尔诗学中的核心地位,探讨其对当代艺术具启发意义。
"All art is essentially a poem", clear planning or existence without concealing, namely the operation and occurrence of existence or ereignis.Contemporary "homeless" status not only caused the rethinking of dwelling, but also became "the sole voice of calling the deceased into the dwelling", which stimulated calling and observing of arts in dwelling. This paper discusses the core position of art and existence in Heidegger's poetics has significance of inspiration for us to understand contemporary art.
出处
《吉林艺术学院学报》
2015年第5期62-67,共6页
Journal of Jilin University of Arts
关键词
艺术与本源
世界与大地
天
地
人
神与四重整体
诗意与栖居
art and origin
world and earth
heaven, earth, human, god and quadruple entirety
poetry and dwelling