阳城民歌探微

Exploration on Yangcheng Ballad

阳城民歌曾是阳城民俗文化的一个重要组成,主要体现为20世纪80年代之前"坐酒场"中的"唱曲"风俗。所唱的曲调类型主要有"一红、二平、三道情,四踏、五更、六太平,七黎、八梅、九连环"。此外阳城民歌中亦包括有不少抗战新民歌。阳城民歌的体裁主要以小调为主,调式以宫、徵调式居多,句式结构以多句体分节歌的单段体为主,常使用六声音阶。唱词当中"哼"、"呀"、"哈"、"嘿"等语气性衬词频现是其主要的演唱特点。

Yangcheng ballad was once an important part of Yangcheng folk culture and mainly displays as a ＂sing a song（Changqu）＂ custom in ＂sit drinking（Zuojiuchang）＂ ＂before＂ 1980 s. The ＂melodies sung generally include＂ one Hong, two Ping, Three Daoqing, Four Ta, Five Geng, Six Taiping, Seven Li, Eight Mei and Nine Lianhuan＂. Additionally, Yangcheng ballad also includes many new anti-Japanese war ballads. The genre of Yangcheng ballad is mainly displayed in the form of minor, and the mode is mostly in the form of Gong and Zhi; the sentence structure is mostly in the form of single segment of multi-sentence strophic songs, generally with hexachord adopted. In the lyrics, some modal particles often appear, such as hum, oh, huh, hey, which are its main characteristics of singing.