摘要
本次国际周包括有“印痕与编码”——国际版画/印刷设计邀请展、“西南印记”——西南版画邀请展、“印痕与编码”国际版画/印刷设计邀请展研讨会、系列学术讲座、工作坊等活动。这次展览邀请了十几个国家、地区以及国内著名版画家、设计师等一百六十余件作品,试图呈现版画与印刷、传统与当代、印痕与数据化之间的亲缘关系,试图在一个根茎化、碎片化、非线性的生活、社会现实中,像炼金师一样选取各种基因不同的材料,寻找新的可能性,合成奇异之花。
The international week including "Printing marks and codes--Printmaking / Printing design international invitation exhibition", "The engraving in the southwest--A southwestern invitational exhibition of prints" and the matched seminars,academic lectures and workshops. The exhibition invited some famous print artists and designers from more than ten countries, regions and domestic, by one hundred and sixty works,trying to present the relationship between printmaking and printing, tradition and contemporary, marks and digitization,trying to act as a alchemist to select different materials of various genes to find new possibilities to compose a magic composition in a fragmental, nonlinear social reality.
出处
《当代美术家》
2016年第2期66-71,共6页
Contemporary Artists
关键词
版画
印刷设计
印痕
Printmaking, Print Design, Codes