摘要
新中国成立后至"文革"(1949—1976年)时期,桂剧的发展轨迹同其他中国地方戏曲一样,在传统剧目的发掘、整理与上演,优秀剧目的编创与移植,以及桂剧传统艺术挖掘等方面取得了很大的成绩,这个时期最大的特点是受当时政治左右而发展的,尤其是进入"文革"阶段,桂剧与当时全国的地方戏曲一样被"样板戏"一统天下,桂剧受到很大损失,开始走向衰败。
During the period from new China's foundation in 1949 to Cultural Revolution in 1976, Guiju Opera, like many other localoperas in China, has obtained great achievements in the digging, collecting and putting-on of traditional plays, the creating and transplant-ing of excellent plays, and the digging of traditional arts of Guiju Opera etc. The most prominent feature in this period was that Guiju, as all other local operas in China, was dominated by Model Opera since greatly affected by politics, after entering the Cultural Revolution inparticular. Guiju Opera, as a result, suffered a lot and began to decline.
出处
《广西科技师范学院学报》
2016年第1期23-28,共6页
Journal of Guangxi Science & Technology Normal University
基金
广西哲学社会科学课题"桂剧文学研究"(13FZW005)和"大学本科戏剧创作课程教学范式与创新研究"(2013JGB110)阶段性成果之一
关键词
新中国
文革
桂剧
发展
new China
cultural revolution
Guiju Opera
development