摘要
陈凯歌导演的影片《道士下山》大腕云集、宣传造势有力,但是剧情凌乱、缺少点睛之笔,尽管该片没有达到理想的预期效果,然而影片中所呈现出的美学意境,却值得细细琢磨与慢慢品味。文章从该片的武打场面、台词设计、空镜头运用等方面,去探究道家文化与电影意境之间的关系渊源,以揭示出道家文化对于营造电影意境所起到的独特作用。
Chen Kaige's films "The Taoist Mountain"has big names and promotes strong, but it is messy,and lack of plot, although the film did not reach the expected effect however, the aesthetic artistic conceptions, are worth thinking carefully and slowly. From the fight scene of the film, the line design,utilization of empty lens, etc.,it explores the Taoist culture and the artistic conception of the relationship between the film, and reveals the Taoist culture to create a movie that plays the unique role in artistic conception.
出处
《新疆艺术学院学报》
2016年第1期83-86,共4页
Journal of Xinjiang Arts University
基金
2015年教育部人文社会科学青年基金项目"南岭走廊瑶传道教影像资料库建设与保护研究"(15YJC730005)
关键词
道家文化
电影意境
老庄哲学
天人合一
空镜头
Taoist Culture
Movie mood
Lao Zhuang Philosophy
Heaven and man
Null lens