摘要
抽象与写意是一对极为接近又风格迥异的范畴。将西方抽象主义绘画与中国大写意绘画并置,二者都存在理性与非理性因素,而抽象绘画偏重于非理性的无意识表达,大写意绘画则偏重于理性与非理性之间的感性把握。抽象与写意因其产生的时代背景、文化环境相异而在笔墨表现、情感表达等方面呈现不同的面貌。但二者也存在相契合之处,二者各有千秋、互为表里,在各自发展的轨迹上达到了殊途各归的至高境界。
Abstract and freehand brushwork is a pair of very close and different style category. Comparing the western abstract painting with Chinese freehand brushwork,both of them have the rational and irrational factors, but the western abstract paintings focus on irrational unconscious expression,and the Chinese freehand brushwork focuses on the balance of rationality and irrationality. Because they have different historical background and cultural environment, they present different faces on painting performance, emotional expression and so on. But they also have some similar aspects, they have their own advantages and linked with each other. They reached the highest level in their own developing tracks.
出处
《新疆艺术学院学报》
2016年第1期92-94,共3页
Journal of Xinjiang Arts University
关键词
抽象
写意
绘画
比较研究
Abstract
Freehand brushwork
Painting
Comparative study