摘要
处于江淮大地的安徽省,境内的凤阳花鼓和黄梅戏艺术分别受淮河文化和长江文化浸润,形成了各自的文化艺术特征。通过历时性和共时性两个维度对它们的发展历史、地理环境和政治生态背景进行解析并作比较研究,可以看出两种艺术在起源、流变和当今发展等方面具有一定的普适性和独特性。通过研究,对于繁荣优秀传统文化,建立多元生态保护传承机制以及厘清传统艺术发展规律具有重要的理论指导意义和实践操作价值。
Fengyang flower drum and Huangmei opera have been influenced by the Huaihe River and the Yangtze River culture respectively. In terms of the historical development,geographical environment and political ecological background,the two art forms share many similar experiences. It is of great significance to make a study of the diachronic and synchronic two dimensions of their origins,evolution and today＇ s development and the prosperity of excellent traditional culture. The author of this paper proposes that we should establish a diversified ecological protection inheritance mechanism and clarify the traditional art law of development has important theoretical guiding significance and practical value.
出处
《怀化学院学报》
2016年第2期79-82,共4页
Journal of Huaihua University
基金
安徽省人文社科重点项目"凤阳花鼓传承发展研究--基于生态传承视角"(SK2016A0094)
安徽省高校优秀青年人才支持计划重点项目"本科层次黄梅戏表演专业课程建设研究--以<黄梅戏乐理与视唱>课程为例"(gxyq ZD2016377)
