摘要
英伽登是现象学美学的主要代表之一。他的现象学文学作品论,从现象学观点出发,对文学作品的存在方式和结构层次、体验作品的各种方式、作品的具体化、积极阅读和消极阅读、艺术作品与审美对象的区别、艺术价值与美学价值的区别等问题,进行了深入细致的分析,对德国文学思想的现代化产生了巨大的影响。
Ingarden is one of the main representatives of phenomenology aesthetics. His phenomenology theory of literal works analyzes in detail the existing mode and structure of literal works, various ways of experiencing the works, materialization of the works and active reading and passive reading, the difference between artistic works and aesthetic objects, the distinct between artistic value and aesthetic value etc. based on the viewpoints of phenomenology, which has great influence on the modernization of German literal thoughts.
出处
《青岛科技大学学报(社会科学版)》
2016年第1期76-79,共4页
Journal of Qingdao University of Science and Technology(Social Sciences)
基金
教育部人文社会科学重点研究基地重大项目(05JJD750.11-44207)
关键词
现象学
英伽登
文学作品论
phenomenology
Ingarden
the theory of literal works