摘要
《三体》所表现的"宇宙社会学"虽然含有浓厚的社会达尔文主义气息,但整个故事写的却是"宇宙恶托邦"向"宇宙乌托邦"的转化,从而在更广、更深的意义上体现了王德威所说对于"‘人之所以为人’的一种二律背反的深刻的沉思"。《三体》的启示:文艺作品是否"真实",取决于它满足"自洽性"的程度。
Although the "sociology of the universe" embodied in Three Bodies has a strong atmosphere of social Darwinism, the whole story describes a transformation from "the dystopia" to "the cosmic utopia". Therefore, it deeply reflects the meditation of "why human beings become human beings" by Wang Dewei. The enlightenment of Three Bodies is: whether art works are "genuine" depends on the degree of how they satisfy the "selfconsistency".
出处
《苏州教育学院学报》
2016年第1期41-45,共5页
Journal of Suzhou College of Education
关键词
《三体》
科幻文学
刘慈欣
王德威
异托邦
自洽性
Three Bodies
science fiction
Liu Cixin
Wang Dewei
heterotopias
self-consistency