摘要
20世纪30年代初期,为了加强意识形态领域的严格控制,蒋介石政府发动了民族主义文艺运动,意在阻止左翼文学的迅猛发展。但是,由于民族主义文艺本身具有矛盾性特征,加上受到左翼作家的共同抵制,这股文学思潮在左右夹击之中迅速失去现实基础。作为国民党文艺政策的重要组成部分,民族主义文艺和三民主义文艺具有显著差异,很值得我们深入探讨。
In the early 1930 s,in order to strengthen the strict control of the ideological field,the administration of Jiang Jieshi launched the nationalist literature and art movement,which was intended to prevent the rapid development of left-wing literature. However,due to the contradiction of the nationalist art,and with the boycott of left-wing writers,the trend of literature about converging attack rapidly lost the realistic foundation. As an important part of the Kuomintang's policy of literature and art,the nationalist art and the three people's principles of art had significant differences,which is worthy of our in-depth study.
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2016年第2期43-47,共5页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基金
国家社会科学基金重点项目"鲁迅与20世纪中国研究"
项目编号:11AZD066
教育部人文社会科学青年基金项目"语言批评的社会历史向度研究"
项目编号:13YJC751053
关键词
南京国民政府
民族主义文艺
左翼作家
Nanjing national government
nationalist art
left-wing writers