极致的美感 暴力的飨宴——谈《杀死比尔》和《座头市》中的暴力美学

The Extreme Beauty of Violence Feast——On the“Aesthetics of Violence”in“Kill Bill”and“The Blind Swordsman: Zatoichi”

北野武和昆汀·塔伦提诺两人可称为当今影坛上最具有代表性的暴力电影导演之二。然而,同样偏好暴力题材以血腥杀戮镜头闻名的两人却风格各异。通过分析比较两位暴力美学大师同时期作品《座头市》和《杀死比尔》在叙事、视听方面的特色,观察不同民族、社会、文化下暴力的不同表达,将可以更为深入直观地了解暴力电影乃至暴力美学。

Takeshi Kitano and Quentin Tarantino can be called the most representative of violent filmmakers in today＇s film industry. However, both of them with the same preference for violence and bloody murder scenes have their own unique style. Through the narrative and audio-visual characteristic analysis of “The Blind Swordsman： Zatoichi” and “Kill Bill”, the works of two violence esthetics master during the same period, from observed the different expression of violence under different ethnic, so- cial and culture were observed, which will be able to provide an in-depth and intuitive understanding of violent movies and even violence aesthetics.