论中西比较美术学的研究规律及其意义

On the Research Regularity and Its Significance of the Chinese and Western Comparative Art

我国中西比较美术学学科实践是在"西学东渐"的时代背景中开始的。对我国中西比较美术成果的梳理发现,中西比较美术学学科现状并不乐观,它的研究方法一直依附于比较文学,这使得比较美术学的特点在某种程度上被遮蔽。中西比较美术的比较内涵具有独特性,它在研究方法上除具有实证的影响比较研究和具有类型性与风格特点的平行研究外,还包括跨文化、跨民族的阐发研究。但是无论如何,中西比较美术首先体现为美术研究,美术理论、美术批评、美术史作为其基本理论。由此,中西比较美术研究是美术研究方法与比较美术研究方法的综合。在当今中西美术相互融合的时代背景下,中西比较美术学的实践呼唤比较美术学学科理论的完善,以此能更好地指导中西比较美术学的实践,促进美术研究成果的产出。

Discipline practices of Chinese and Western Comparative Artin China began in the background of 'Western learning spreads to the East'.Through research on the achievements of Chinese and Western Comparative Art,I have found that the current situation of the discipline is not optimistic,and its research method has been attached to comparative literature,which makes its characteristics covered in a certain extent.The comparative connotation of Chinese and Western Comparative Arthas unique characteristics,and among its research methods,besidesthe comparative study on impact with empirical evidence and the parallel study with genre and style characteristics,there is still the study of interpretation that is cross-cultural and cross-national.However,the Chinese and Western Comparative Art embodies in taking art research,art theory,art criticism and art history as its basic theory.Thus,Chinese and Western Comparative Art Study is the combination of art research approaches and comparative art research approaches.Under the background of mutual integration of the current Chinese and Western art,practices ofcomparative study of Chinese and Western art calls for the perfection of comparative fine arts discipline theory,so as to guideits practice in a better way,and promote the output of art research achievement.