论“金本”《水浒》的“重复”叙述及其意义

Repetition in narration of Water Margin of Jin Version and its significance

相对早期文本而言,"金本"《水浒》行文更多"重复"。在小说评改过程中,金氏具有明确的"重复"理念并通过增添、修改语句,以及采取"似是而非"化三种策略形成独特的"重复"理路。在叙事层面,金圣叹提出"草蛇灰线""犯""关合映照"等一系列虽存异而实相通的行文技法为小说增色;在意义层面,运用"重复"叙述演绎传统道德、文化观念以及发挥"重复"叙事所带来的反讽效果和意义指向的作用。通过与米勒所提出的"重复"理论的对接,对于深化与系统理解"金本"《水浒》的重复叙事策略及金圣叹的行文"重复"观念有所推动。

Compared with that of the earlier version, Water Margin of Jin version has more repetition in narration. Inthe process of commenting and reforming the novel, Jin Sheng-tan has a clear concept of repetition and uses threestrategies such as addition, modification and plausibility to form the unique concept of repetition. At the narrative level,Jin Sheng-tan presents “grass snake and ash thread”, “contrasting,” “reflecting” and a series of writing techniques toadd grace to the novel. At the sematic level, the adoption of repetition in narration can better present traditional moralityand cultural concepts, and can fully elaborate the ironic effects and meaning orientation function. By linking Miller’srepetition theory, the present essay helps deepen the understanding of the repetition narrative strategy of Water Marginof Jin version and promote to grasp Jin Sheng-tan’s repetition concept.