论门罗与伍尔夫作品中女性的自我实现——从人物互文性视角解读

Females' Self-realization in Munro's and Woolf's Works from the Perspective of Intertextuality

女性运动以来,女性的"自我实现"一直是女性主义者们所关注的焦点。作为二次女性运动的领军人物,弗吉尼亚·伍尔夫通过其"雌雄同体"式的女性观为广大女性构想了一条自我实现之路。然而,身为二次女性运动的"女儿",加拿大作家艾利丝·门罗通过对"雌雄同体"式女性人物的戏仿,拒绝并解构了这条女性自我实现之路。同时,在还原女性最真实的生存空间及内心感受后,门罗也提供了女性自我实现的现实途径,即在现实空间与理想空间间双重栖居,去发现最真实的自我。

Parody, the postmodern narrative device, allows the narrators to return to previous moments to contact with certain ideas. As the representative figure of the second feminist movement, Virginia Woolf presented her androgynous ideas through her female images. Like Virginia Woolf, Alice Munro also shows great interests in the females＇ self realization. Munro, however, deconstructed Woolf＇s concept of androgyny by parodying Woolf＇s female images, and presented a new interpretation which is to know one＇s real self by dwelling in both realistic space and ideal space.