从尼采到德勒兹:当代性时间逻辑的嬗变

From Nietzsche to Deleuze:The Transition of Temporal Logic of Contemporaneity

深入理解当代性这个概念必须从时间性入手,它从根本上体现为现代性时间运动中的断裂—连续的环节。尼采对记忆和遗忘的论述,扬·阿斯曼对文化记忆的阐发,都是对这个要点的重要阐释。而斯蒂格勒对第三记忆的启示性描述更是突破了文化记忆的时间性线索,导向空间的维度和宇宙论的范域。德勒兹的梦幻—影像从电影艺术的角度对第三记忆进行了拓展,而当代围绕档案所展开的媒介研究则进一步启示出档案—记忆作为当代记忆术的基本形态。

To fully understand the ambiguous concept ＂contemporaneity＂,one needs to approach the issue via its inherent temporality which should be properly considered as the anachronic dimension of modernity. Nietzsche＇s insight about memory and forgetting,Jan Assmann＇s conception of cultural memory,all these have contributed greatly to the clarification of this key point. On another direction,Stiegler＇s ＂third memory＂has broken through the framework of cultural memory and successfully led it towards the even wider spatial horizon of Cosmos. While Deleuze＇s ＂dreamimage＂might be no more than an artistic extension of the ＂third memory＂,the cutting-edge media study of archive will definitely open up the new research area of archive-memory as the contemporary＂art of memory＂.