摘要
家庭的衰落、时局的混乱在艾芜心里堆积了深深的苦闷,对现实的不满促使他南下寻求精神的港湾,而交通闭塞、环境险恶的少数民族边地无疑是艾芜平复苦闷的首选。在流浪途中,他用眼睛审视人性的美丑,切身直面饥寒,靠挂在颈子上的墨水瓶记录社会的黑暗和温暖。无论是艾芜创作的现代小说,还是自传体回忆性质的文本,都蕴含着浓烈的乡土情结和忧患意识。艾芜试图将川滇人的性情进行对比,透过四川人对公共空间的利用情况,寻找四川人静态性情的原因,以期给这一滩死水注入新鲜、珍贵的血液。
The fading of the family and the confusion of current situation caused Ai Wu's deep depression. His dissatisfaction on the reality prompted him going south to seek spiritual satisfaction. The rimland of the minority nationalities with blocking traffic and dangerous environment was undoubtedly Ai Wu's ideal place to recover. Wandering on the way,he reviewed the human beauty and ugliness,faced the hunger and cold,recorded the social darkness and warm. Both the modern novels and the autobiographical works of Ai Wu contained strong rural complex and sense of urgency. Ai Wu tried to compare the people 's temperament between Sichuan and Yunnan.Through the public space utilization of the people in Sichuan,Ai Wu searched for the cause of the static temperament of Sichuan people.
出处
《阴山学刊》
2016年第2期69-72,共4页
Yinshan Academic Journal
基金
2013年四川省社科联学科建设项目"四川现代乡土文学的底层叙事研究"(SC13XK21)阶段性研究成果
关键词
艾芜
底层空间
民族认同
Aiwu
bottom space
ethnic identity