摘要
相异于西方文化,祠堂是乡土中国农耕经济与宗法社会的产物。在白鹿原—白鹿村—宗祠微缩化文化空间构想中,祠堂与戏台、镇妖塔、白鹿书院、村墙、闺房等形成了空间诗学的并置效应。基于农耕文化传统的在场,祠堂表征的是儒家道德伦理的正统与中心地位,继而成为文化聚集、衍生、冲突的多点透视空间。
Different from western culture, ancestral hall is the product of rural China agricultural economy and patriarchal society. In the miniature cultural space conception ofBailu Plain--Bailu Village--Ancestral Hall, the effect ofjuxtaposition of space poetics formed by stage, town demon tower, Bailu academy, Bailu village walls, boudoir and ancestral temple has been achieved. Based on the presence of traditional agricultural culture, Bailu village's ancestral hall holds the orthodox and central position of Confucian Ethics, and has turned into a multi-point perspective space of culture accumulation, derivation and conflict.
出处
《河北工业大学学报(社会科学版)》
2016年第1期38-42,共5页
Journal of Hebei University of Technology:Social Sciences Edition
基金
教育部人文社会科学研究项目(11YJC751099)
安徽省教育厅省级优秀青年人才基金重点项目(2012SQRW060ZD)阶段性研究成果
关键词
《白鹿原》
祠堂
镇妖塔
白鹿书院
空间诗学
BaiLu Yuan
ancestral hall
town demon tower
Bailu Academy
space poetics