摘要
汉族人的坐姿,从席地而坐,到屈膝而跪,再到垂足而坐,表面上看是生活习俗的变化,也有异域文化的影响,但其中却蕴含着人的主体意识的逐渐觉醒,寓意着人类的生活体态从自然→规矩→自由的发展轨迹,因此具有深刻的美学意义。
The sitting postures of the Hans changes from sitting cross-legged,kneeling to sitting on chair with two legshanging down. It seemingly is a change in social convention and influence from foreign countries,but actually re-flects the gradual awakening of individual consciousness. This posture changes embodies great aesthetic signifi-cance.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第2期139-145,148,共7页
Journal of Southeast University(Philosophy and Social Science)
