摘要
宗白华以美学家、哲学家的情思睿智,继承、发扬中外莎评的优良传统,高标特立,秉执古今会通、中西融合的文化视野与比较意识,从现代美学和艺术学的镜角,对莎士比亚戏剧的审美客观性与主观性及其互制关系作了深湛透辟的论述,为中国莎学史留下镜角独特、境界恢宏的一页。
With the wisdom of an esthetician and philosopher, Zong Baihua inherited and developed the Chinese and western traditions of Shakespeare criticism. His criticism often showed deep insight, and gave comparative interpretations of the blending of the old and the new cultures, both Chinese and the western. Zong made a profound analysis of the aesthetic objectivity and subjectivity, and of their interrelation in Shakespeare's plays, from the perspective of modern aesthetics and art. Zong has left a unique and brilliant mark in the history of Chinese Shakespeare studies.
出处
《戏剧艺术》
CSSCI
北大核心
2016年第2期32-39,57,共9页
Theatre Arts
关键词
宗白华
莎士比亚戏剧
美学艺术学
Zong Baihua
Shakespeare's plays
aesthetics and art