摘要
两汉时期是我国封建社会的初始阶段,也是中古伎乐时代的形成期。这一时期的乐舞艺术具有典型的时代特性,不仅高度融合于社会活动之中,成为社会生产、消费的重要内容之一,也普遍参与社会物质产品循环,形成特定的艺术生产、分配体系,受制于社会生产力与生产关系,受制于社会政治、经济的变化。文章立足这一视域,从经济学角度深入探讨这一时期乐舞生产、消费等经济学问题,以期归纳这一时期的乐舞经济特征,辨析乐舞发展与社会政治、经济之关系。
The period of two Han dynasties is the preliminary of our national feudal society and it is also the generation period of music of mediaeval times. The music and dance has typical features of that time, since it not only highly in- tegrates social activities, but also becomes a significant content of social production and consumption. And it univer- sally participates in the circulation of social products, and forms a specific art production, distribution system, and it is enslaved to social productive forces and productive relation, and it is enslaved to social politics, and economic transformations. This paper discusses the production and consumption of music and dance from the economics per- spective, so as to conclude the economic features of that time, and discriminate the relationship between music and dance and social politics and economics.
出处
《艺术百家》
CSSCI
北大核心
2016年第2期85-95,103,共12页
Hundred Schools In Arts
基金
2011年度浙江省哲学社会科学规划"之江青年课题""江南音乐经济发展史研究"(项目编号:11ZJQN078YB)阶段性成果
2009年度教育部人文社会科学规划一般课题"中国音乐经济发展史研究"(项目编号:09YJC760051)阶段性成果之一