浪漫诗风及其东方灵知主义——早期德国浪漫主义艺术理论初探

Romantic Form of Poetry and Oriental Divinity:A Preliminary Exploration of Early German Romanticism Art Thoery

浪漫诗风(romantic form of poetry)确实不只是一种诗学形式,更是一种广义的艺术形式,一种深层的美学形式,一种复杂的情感体验形式。在无限泛化的意义上,浪漫诗就是18世纪末19世纪初诗人和哲人共同发明的"绝对的文学"、"绝对的诗歌"、"绝对的艺术"。浪漫诗风的萌生、培壅、型构与流布,端赖创造性地使用语言符号,建构一个象征世界。这就是所谓的世界浪漫化,其基础是魔幻观念论,其内涵是自然象征主义赋予万物以神秘意义,其手段是语词炼金术,其目标是超验与内在合一。浪漫派建构的典范体裁是"小说",这一文类具有深层的内省性,蕴含着一种穿透宇宙奥秘和将日用伦常神圣化的灵知。在全球化和现代性语境下,东方灵知主义的渗透和参与,共同塑造了浪漫主义文学、诗学和美学的精神品格。

Romantic form of poetry is sure not only a poetical form, but further is an artistic form, a profound aesthetic form, a complex emotional experiential form extensively speaking. To a infinite extensive extent, romantic poetry re- fers to an absolute literature, poetry, and art mutually invented by poets and philosophers in late 18th century and early 19th century. The generation, cultivation, construction, and prevailing of romantic poetical style depends upon a creative utilization of language signs to build a symbolic world. This is so - called world romanticism whose base is magic conception, and whose connotation is natural symbolism which endows everything with mysterious significance, and whose means is wording techniques, and whose aim is the integration between transcendence and inherence. The classical genre established by romanticism is the novel which has a profound retrospection and implies a divinity pene- trating universal secret and changing the daily life to be divine. In the context of globalization and modernity, the penetration and participation of oriental divinity together create the spiritual quality of romantic literature, poetics, and aesthetics.