摘要
作为"扬州八怪"之一的李方膺,前半期常居南通,后半期常住南京。不住扬州且几乎不来扬州,却列于"八怪"之一。后人对此解说不一。文章通过交往研究,揭示"扬州八怪"核心交往圈的存在,而李方膺通过种种方式已经成为扬州八怪核心圈的重要成员。他在圈子中所体现出来的强烈的存在感,使得后人在考察"扬州八怪"这个文人圈子时无法将他与其他成员分开,而必须列其于中。
As one artist of eight eccentric artists in Yangzhou, Li Fangying lived in Nantong in his early time, and lived in Nanjing in his later time, and he never lived Yangzhou and never went to Yangzhou. However, people list him as one of the eight eccentric artists in Yangzhou, which is very confused. In this paper, we disclose the core association circle of the eight eccentric artists in Yangzhou, and Li Fangying was the important member in this circle. His strong sense of presence in this circle makes later people list him as the one of eight eccentric artists in Yangzhou, since it is very difficult for us to separate him from the literati circle.
出处
《艺术百家》
CSSCI
北大核心
2016年第2期156-164,共9页
Hundred Schools In Arts
基金
2015年度扬州大学扬州八怪研究所第四批规划项目(项目编号:2015YZBG08)阶段性成果之一
关键词
中国美术史
扬州八怪
身份
李方膺
交往圈
郑燮
存在感
Eight Eccentric Artists in Yangzhou
Li Fangying
Association Circle
Zheng Xie
Sense of Presence