敦煌莫高窟第103窟维摩诘像与吴道子画风

Wu Daozi's Painting Style and the Portrait of Vimalakirti in the 103rd Cave in Mo Kao Grotto at Dunhuang

敦煌莫高窟第103窟是盛唐时期开凿的洞窟,壁画保存完整,艺术价值较高,尤其是东壁门南的维摩诘像,受到艺术史家的高度关注,认为具有吴道子画风。文章通过对该窟年代问题的探讨、维摩诘像与吴道子画风的比较,认为第103窟艺术风格可能早于吴道子时代,该窟艺术成就是当时寺观艺术处在高峰时期的产物。

The 103rd cave in Mogao caves was dug in the flourishing Tang period. Its murals are preserved completely and they have a high artistic value especially the image of Vimalakirti on the eastern wall which is paid a high attention to by art historian and is acknowledged to own Wu Daozi＇s style. Through a discussion of the time of the cave and a comparison between the image of Vimalakirti and Wu Daozi＇s painting style, I think that the 103rd cave is possibly earlier than Wu Daozi times, and the artistic achievement of the cave is the product of excellent temple art.