构建新型“一带一路”文化——从舞剧《丝路花雨》看开去

2013年9月和10月，习近平主席在出访中亚和东南亚国家期间，先后提出共建“丝绸之路经济带”和“21世纪海上丝绸之路”的重大倡议。2015年3月，国家发改委、外交部、商务部经国务院授权正式发布《推动共建丝绸之路经济带和21世纪海上丝绸之路的愿景与行动》，向国际社会阐明了中国政府的构想与主张，即坚持共商、共建、共享原则，积极推动沿线国家发展战略的相互对接，让古丝绸之路焕发出新的生机与活力，加强亚非拉各国在经济、文化等领域的相互联系，实现共同发展、共同繁荣，共同打造政治互信、经济融合、文化包容的利益共同体、命运共同体和责任共同体。

With literary criticism being highly regarded recently, it is necessary to probe into thetraditional character of Chinese arts, whether from a perspective of theoretical reflection or worksappreciation. Through reflection on art theories, the static elements within the fluid artistic trend would bedistilled; while the appreciation of works would focus on artistic products, for the purpose of grasping thetransformation of traditions in contemporary China. In any case, both would enlighten us with thenecessity and significance of the inheritance of traditions in modern China. The four related articles herewould explore the traditional character of Chinese modern arts from different angles.'‘Xing Wei Yun Jiey':The Native Aesthetic and World Significance of Chinese Artwork'elaborates on the'Xing Wei Yun Jie'feature, which Chinese aesthetic traditions always attach great importance to, and is the proper beauty ofprominent Chinese artwork. 'The Construction of ‘The Belt and Road Culture' of a New Type're-illustrates the artistic feature and cultural property of 'Along the Silk Road', attempting to furnishpresent cultural products with the basic features needed for traditional construction. 'Thinking on the Cultural Origins of Arts'divides Mr. Qian Mu's artistic thinking into three dimensions: to explore the'artistic nature of culture' from the perspective of the inherent artistic nature of Chinese culture; toobserve Chinese arts by deeming them as an integral part of cultural entity, from the perspective of thecultural nature of Chinese arts; and to rethink about arts from the perspective of regarding the 'art oflife'as the axis.'The Combination of‘Virtue'and‘Craft'and the Heart of Arts'recommends a reviewof Mr. Feng Zikai's contribution in exploring the modernity in traditional Chinese artistic views, as wellas of his achievement in creative practice.