孙过庭《书谱》的美学思想精神

Aesthetic Spirits of Sun Guo-ting's The Genealogy of Calligraphy

孙过庭是书法家,他有创作的实践,他的《书谱》就是用草书写成的,他的理论洋溢着求真的精神、辩证的精神、实践的精神。他的求真精神体现在他不迷信经典、不固执己见和不迎合时尚的态度。他的辩证精神体现在他看问题分析问题的辩证立场。孙过庭《书谱》全文贯穿着"从实践中来到实践中去"的实践精神。可以说实践精神是他《书谱》的基石,离开实践精神,就不能很好理解他的求真精神和辩证精神,因为他的求真精神和辩证精神是以实践为基础的,离开实践精神同样也不能理解他《书谱》的艺术理论价值,因为他探讨的不是纯粹理论的问题。

Sun Guo-ting, a calligrapher, has creative practices, and his book The Genealogy of Calligraphy is written in cursive style. His theory combines the spirits of truth, dialectics and practice. His pursuit-of-truth spirit is embodied in his non-superstition of classic works, non-opinionated behaviors or non-catering to the fashion. His dialectical spirit is shown in the dialectical position of viewing and analyzing problems. The Genealogy of Calligraphy was written through the spirit of ＂from practice to practice＂. It can be said that practice spirit is the cornerstone of The Genealogy of Calligraphy, if leaving the practical spirit, his pursuit-of-truth and dialectical spirit cannot be understood, because they are based on practice. His book can＇t be understood without practice spirit for the reason that he is not discussing purely theoretical problem.