摘要
"乡土中国三部曲"《富矿》《后土》《福地》所书写的麻庄,所指向的不仅是一个村庄,也不仅仅是苏北鲁南一个区域的写照,而是指向乡土中国。地域的特殊性,让苏北鲁南成为文学的"富矿"、思想的"后土"和精神的"福地"。乡土是中国难以改变的精神底色,在此意义上说,未来中国文学的主潮还是乡土文学。作为当代中国作家,有责任为农民呼吁公平与正义,有义务为乡土中国的转型发展歌与哭。
The Ma village described in The Trilogy of Rural China,namely,Fu Kuang,Hou Tu,Fu Di is not only a village or a portrayal of a certain region in the northern Jiangsu and southern Shandong,but also refers to the native China. The particularities of the region make the northern Jiangsu and southern Shandong become the rich ore of literature,the God of thought and the happiness land of spirit. Native land is the basic spirit of China which is hard to be changed. In this sense,the main current of Chinese future literature is still the native literature. As Chinese contemporary writers,they have the responsibilities to call for fairness and justice for farmers,as well as the obligation to eulogize about the transformation and development of native China.
出处
《山东青年政治学院学报》
2016年第2期6-9,共4页
Journal of Shandong Youth University of Political Science
基金
“江苏省优势学科建设工程项目江苏师范大学中国语言文学”
“江苏高校品牌专业建设工程资助项目”(PPZY2015A008)
上海市学术新人培养计划
关键词
乡土中国三部曲
苏北鲁南
乡土底色
The Trilogy of Rural China
the Northern Jiangsu and southern Shandong
Local Characteristic
