论叶炜《乡土中国三部曲》的乡土书写形态及其意义

On the Idyllic Features of YE Wei's “The Trilogy of Rural China and Its Significance”

叶炜《乡土中国三部曲》以巨大的深度和广度再现了二十世纪中国乡村的悲剧历史和隐秘现实,其书写形态丰富而复杂。三部长篇小说在文化精神上对二十世纪乡土中国进行了深入的反思与重构,在叙事形态上则具有流动多变的结构体式。三部曲对以麻庄为缩影的苏北鲁南地域和整体的乡土中国都进行了多个方向、多个角度的辩证思考并进行了诗性书写。这种乡土书写所具有的文化品性与诗学特征是对当前乡土书写的突破,对"70后"作家创作而言具有重要的方向意义和典范作用。

The Trilogy of Rural China,YE Wei＇s novel,depicts the gloomy history and dark reality of China in20 th century with enormous depth and scope in a form rich with literature skills. These three novels revalue and reconstruct the rural culture spirits of China with diversified styles and structures in the narrative pattern. The trilogy dialectically rethinks about the native China and portrays Ma village as a miniature of northern Jiangsu and Southern Shandong in an idyllic way. This kind of rural narration makes a breakthrough with its cultural and poetic features,which sets an example for the 1970＇s writers in China.