摘要
戏曲传承发展的"二元思路"是指一方面要将古典戏曲文本和传统剧目演出的传承守护置于首位,并在这一传承基础上鼓励推动新编古代戏曲的创作实践,在具体实践中寻求传统与现代的契合点并恪守戏曲艺术的本质属性;另一方面在现代生活题材的创作演出中,则不必拘泥于"戏曲味"之有无多寡,而应大幅度"去程式化",致力于戏剧艺术的整体创新,创造出"去戏曲化"的广义的现代民族戏剧。
Dual thinking in the inheritance and development of traditional Chinese opera means that on the one hand, we need to put the defense of classical opera texts and traditional play perform- ances in the first place, encourage creation of newly organized opera on that basis, and pursue the integration of traditions and modernity in concrete practices and abide by essential attributes of opera art; on the other hand, we do not need to rigidly adhere to the richness of opera flavor in the crea- tion and performances of modern living subjects. Instead, we should commit ourselves to the overall innovation of opera art through substantial "de-stylization" so to create "de-dramatized" modern na- tional opera in broader terms.
出处
《文化艺术研究》
2016年第1期24-28,共5页
Studies in Culture and Art
关键词
传承发展
二元思路
本质属性
广义现代戏剧
inheritance and development
dual thinking
essential attributes
modem opera inbroader terms