戏剧与情感

Theater and Emotions

本文关注的重点是戏剧与情感的关系:首先,简要回顾了历史上人们对于戏剧与情感的观点:柏拉图、奥古斯丁和卢梭都强调戏剧的负面影响;而亚里士多德、布莱希特和阿尔托则关注了戏剧的积极作用。关于戏剧是如何唤起情感,柏拉图提出了著名的"等同说"。作者分析了"等同说"的不合情理和矛盾之处,并提出了自己关于戏剧如何唤起情感的理论——按照标准的事先预设。

The thesis concentrates on the relationship between theater and emotions： first, a short history concerning people＇ s views on theater and emotions is provided ： Plato, Augustine and Rous- seau emphasize on the pernicious effect of theater; while Aristotle, Brecht and Artaud focus on the benefits of theater. Then the thesis analyzes the way theater engenders emotions, on which Plato pro- poses his theory of identification. By tion, the author puts forward his own tions. displaying the inappropriateness theory of criterial prefocusing on and illogicality of identifica- how theater engenders emo-