摘要
维吾尔木模印花布是中国最具有代表性的传统凸版手工印染产品,其独特的印染技艺在2006年被文化部列入首批国家级非物质文化遗产名录。基于田野调研分析,采用文献查阅和实物分析的研究方法,从木模印花布的起源、装饰纹样的历史背景、题材、艺术构思等方面进行分析,总结了其制作工艺的流程、颜料制作的方法及印花工艺风格。发现其在装饰纹样上,表达了维吾尔族的宗教信仰与本土的文化气息;而在构图艺术上,则是运用点、线、面等元素结合特殊的构图手法,创造出平面的三维感受。总之,木模印花布的独特之处体现在其文化、技术与艺术的完美结合。
The Uighur wooden print fabric is the most representative product of traditional manual relief printing in our country,its unique printing technique was listed in 2006 by the ministry of culture as one of the first batch of"national intangible cultural heritage". Based on the field survey analysis,this paper researched by literature review and physical analysis of actual products,analyzed from aspects such as the origin of wooden print,the historical background of decorative patterns,theme and artistic conception etc. and summarized its craft process,the method of pigment production and printing process and style. The studies show that decoration pattern express the Uighur religious belief with the local culture breath; On the art composition,it is using special composition technique that combines elements such as dot,line,surfaces to create three-dimensional feel in plane surface. In a word,wooden prints reflects the perfect combination of its culture,art and techniques.
出处
《丝绸》
CAS
CSCD
北大核心
2016年第4期57-64,共8页
Journal of Silk
基金
教育部人文社科基金项目(09YJA760013)
江苏省2014年度普通高校研究生科研创新计划项目(KYZZ-0316)
江苏高校优势学科建设工程资助项目(苏政办发〔2014〕37号)