摘要
闲人是文学史上一个特别的形象,古有食客闲人、富贵闲人,近有鲁迅笔下欺软怕恶的未庄闲人。闲人的词义在经过上千年后在词典中固定下来,"闲人"形象也在人们思维模式中形成了一定的认知。贾平凹的《闲人》突破前人的"闲人"认知和词典释义,完成了从"闲"到"非闲"的置换,用一个新"闲人"向读者表达了他对侠义、热血、正直的新阶层的渴望,唤醒读者心中人性最真诚的本质。
Idler is a particular ima ge in literary history, in which there were idlers called " Shike ", wealth idle people in the ancient times and the one living in " Wei Zhuang " bullying good people but dreading evildoers described by Lu Xun.The meaning of idlers fixed in a dictionary after thousands of years, Idlers image formed in a certain pattern in people's mind. But Idler is breaking the previous cognition and dictionary definition about it, renumbering the idler image symbol and filling with the semantic information " No Idle " completed the replacement between the " Idle " to " No Idle ". Jia Pingwa used a new " idler " to express his desire of the Chivalrous new class with enthusiasm and integrity while, he tried to wake up the most honest essence of human nature.
出处
《焦作大学学报》
2016年第1期40-43,共4页
Journal of Jiaozuo University
关键词
闲人
语义
修辞
人性召唤
idler
semantic
rhetoric
call of human nature